Huge amounts of illicit materials, yards and yards of this wretched stuff. Days and nights would just go on and on.”Fleetwood Mac artist page: interviews, features and/or performances archived. Who says that at 72 shes finally comfortable doing everything she wants.'Long Distance Winner' is the name of one of the more famous songs off of the 'Buckingham Nicks' album, along with 'Frozen Love,' 'Crying in the Night' and 'Crystal,' which Fleetwood Mac would later redo in their 'White Album.' But the song is much broader, it's about any group that's trying to keep together despite the weight of the world.But the soul of the Mac’s magic has always been their songs.He taught himself guitar (he still doesn’t read music) and by 1968 found himself playing bass in a local Bay Area band called Fritz.Buckingham in turn recommended to them a young singer called Stevie Nicks. Born into a wealthy San Francisco family in October 1947, Lindsey Buckingham fell early under the influence of Elvis Presley’s guitarist Scotty Moore and folk groups such as The Kingston Trio and Peter, Paul And Mary. And their lives… Words: Nigel WilliamsonWhen Mick Fleetwood rang Lindsey Buckingham on New Year’s Eve, 1974, and invited him to join Fleetwood Mac, the move seemed born of desperation.Recently relocated to LA, the band’s star had waned since the glory days of Peter Green, and when guitarist, singer and composer Bob Welch had abruptly left what was the group’s ninth lineup in eight years, the future looked bleak indeed – particularly as Heroes Are Hard To Find, the band’s final album with Welch, had barely sold enough copies “to pay Warner Brothers’ electric light bill”, as Fleetwood puts it.Across town, prospects for the Buckingham-Nicks duo looked equally unpromising. However, it nearly cost them their sanity.
Youtube Fleetwood Thats All For Everyone Live Mac Artist Page“And as I watched him become more brilliant every day, I felt very gratified. Nicks was reduced to waitressing at Clementine’s, a Beverly Hills singles bar, for $1.50 an hour, while Buckingham did a few sessions and lived on her money.“I believed that Lindsey shouldn’t have to work, that he should just lay on the floor and practise his guitar and become more brilliant every day,” Nicks explains. But with no real marketing or promotion, it died a death. It’s very possible that I would have gone back to school and Lindsey would have gone back to San Francisco.”Mick Fleetwood, meanwhile, was searching for a new guitarist to replace the departed Welch, when he ran across Buckingham Nicks at Sound City Studios. “I was really tired of having no money and being a waitress. And when you really feel that way about somebody, it’s very easy to take your own personality and quiet it way down.”But by late 1974, Nicks was “within weeks” of returning to her parents’ home in Phoenix, and contemplating a return to college.“If we hadn’t joined Fleetwood Mac would Lindsey and I have carried on and made it?” she asks today. They’re going to pay us $200 each a week, so we can save some money and leave in six months with a little nest egg if it doesn’t work,’” she recalls today.The ‘audition’ took place over dinner in a Mexican restaurant in LA. Nicks swiftly reassured him.“I said, ‘We can always quit. Stupid me, eh?” Buckingham jokes today.Fleetwood was so convinced that Buckingham was his man that he swiftly agreed to take them both – although he promised Christine McVie that she had a veto if she disliked Nicks.Initially, the guitarist had reservations about submerging his musical personality in an already established band – particularly as he had not been a fan of the Bob Welch-era Fleetwood Mac. I had to explain we came as a duo. That was as far as his thinking went. But Fleetwood Mac already had a female singer in Christine McVie, so his initial invitation was merely to the guitarist.“He was standing there grooving to this searing guitar solo and he needed a guitar player. Our relationship was already in dire straits. “I had already moved out of our apartment a couple of times and then had to move back in because I couldn’t afford it. “Lindsey and I were in total chaos a year before we met Fleetwood Mac,” Nicks tells Uncut almost 30 years on. Yet it was not necessarily the most stable.What Buckingham and Nicks had failed to reveal to their new colleagues was that, although they came as a team, their relationship was already falling apart at the seams. The 10th, and most enduring, of Fleetwood Mac’s multiple lineups was in place. “Everybody was pretty weirded out,” Christine McVie told Cameron Crowe in a landmark 1977 Rolling Stone cover story. We kicked that album in the ass.”In September 1976, 15 months after its release, the album topped the US charts, having also produced three hit singles in “Over My Head”, “Rhiannon” and “Say You Love Me”.By then, Fleetwood Mac had already been back at work for six months, recording the follow-up at the Record Plant in Sausalito, a half-hour drive over the Golden Gate Bridge from downtown San Francisco.But during the relentless touring of the previous year, the cracks in the Buckingham-Nicks relationship had grown to a volcanic fissure, and the McVies were also in the middle of divorce proceedings.The ever-affable and gregarious Fleetwood attempted to hold the ring, adding the roles of guidance counsellor and social worker to that of band leader. “We just played everywhere and we sold that record. “At least I was spared the in-house, up-front situation. It was a total mess and that’s how we made the album.”Fleetwood concedes that he had just one consolation denied to the other couples. “But my best friend was also having an affair with my wife and it was all weird and twisted. Everybody knew everything about everybody and I was definitely piggy-in-the-middle,” Fleetwood recalls. I movie 2004 for mac applicationNicks and Christine McVie spent only one night under the same roof as the band’s male members. And because there was this chaos going on with me and Lindsey, the band gave me a friend in this woman and I could hang out with Christine.”When they had first arrived in San Francisco at the beginning of the year-long process that was the recording of Rumours, the Record Plant provided a house for the band’s living accommodation. “We had to end up being close because otherwise it was just hang out with the guys all the time. “We didn’t have anybody else,” Nicks says. But initially they were two women alone in a man’s world. “The one thing we had in common, which bound us together, was a sense of humour through all the pain.”Later on, neither were short of female company as hairdressers, wardrobe mistresses and make-up artists were added to the extravagant Fleetwood Mac touring circus. “He’d be walking up and down the corridor, very upset, screaming her name, and she’d be hiding in my room,” Nicks recalls. The next day we moved out and got two matching apartments next to each other.”Some nights after they had left the studio, a stoned John McVie would come looking for Christine. Me and Chris decided we couldn’t be there. “There were girls everywhere and everybody was completely drunk the whole time.
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